NIGEL BEALE NOTA BENE BOOKS

Musings on the Book, Literature, Poetry, Literary Criticism, Collecting, Media, Life and the Arts, and Audio Interviews from The Biblio File radio program pertaining to same by a writer, broadcaster, bibliophile.
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Archive for October, 2009

October 2nd, 2009 • Posted in Authors and Books

What is that Image on Somerset Maugham’s Books?


An ancient Moorish symbol supposed to ward off the Evil Eye.  Circa 1880, Robert Ormond Maugham (one of the founders of the British Law Society), came across the sign during a trip to Morroco. He had it engraved in glass used in a home he built outside of Paris in Suresnes. In 1901, his son,  William Somerset, placed the symbol on his fourth book, The Hero. The novel was a flop. Later, Maugham realised he’d put the symbol upside down. He turned it the right way around and became one of the most popular authors in the world.

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October 2nd, 2009 • Posted in On Book Collecting

Ottawa Antiquarian Bookfair Sunday, Oct. 4th!

October 2nd, 2009 • Posted in Shakespeare

MacBeth and what was in the Witches Brew

 Knotweed

  Eye of Newt, and toe of frog,
    Wool of bat, and tongue of dog,
    Adder’s fork, and blind-worm’s sting
    Lizard’s leg and howlet’s wing

Pretty gruesome stuff, but likely just herbs by other names….names designed to gross out the masses, to stop them from practicing magic. Here are some  translations:

Eye of Newt Mustard Seed
Toe of Frog Buttercup
 Wool of Bat Holly Leaves
 Tongue of Dog Houndstongue
 Adders Fork  Adders tongue
 Lizard Leg Ivy
 A Hawk’s Heart: Wormwood
 Ass’s Foot or Bull’s Foot:  Coltsfoot
 Bear’s Foot: Lady’s Mantle
Calf’s Snout: Snapdragon
Graveyard Dust: Mullein
Sparrow’s Tongue: Knotweed

 

Source(s):

Hans Dieter Betz (ed.), The Greek Magical Papyri in Translation including the Demotic Spells, Univ. Chicago Press, 1986

and here.

 

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October 1st, 2009 • Posted in On Book Collecting

Virginia Woolf at Swann Galleries this afternoon

Swann Galleries has been twittering auction results this afternoon. Look at these beautiful Virginia Woolf titles up for grabs:

 

Sale 2188 Lot 296

WOOLF, VIRGINIA. Mrs. Dalloway. 8vo, gilt-lettered burgundy cloth, slightly cocked, spine ends lightly rubbed, a bit of toning to endleaves; original dust jacket designed by Vanessa Bell, scattered overall darkening and rubbing, spine panel toned and with an uneven 1/4-inch chip at head affecting "M" of Mrs (small cellotape repair on verso), and few minor chips at foot not affecting lettering. first edition in the scarce dust jacket. Kirkpatrick A9a: Woolmer 82 London: Hogarth Press, 1925  Estimate $10,000-15,000


 

Sale 2188 Lot 297

WOOLF, VIRGINIA. To The Lighthouse. 8vo, gilt-lettered blue cloth, spine toned and a bit rubbed; fore edge foxed, occasionally creeping into margins; original dust jacket designed by Vanessa Bell, spine panel sunned, 1/2-inch chip at head, clean split between spine and rear panel, lightly toned along outer edges but cover still bright. first edition of woolf’s masterpiece. Woolmer 154. London: Hogarth Press, 1927  Estimate $6,000-9,000

Update: Virginia Woolf’s Mrs. Dalloway, 1925, and To the Lighthouse, 1927, sold for $15,000 and $5,000 respectively. Interesting that the better novel fetched the lower price. Both are of course high points, but many variables are at work here: condition of the books; the print run on Dalloway may have been smaller. More movies have been made of and about Dalloway…there may have been several tenacious bidders for it….

And as I check my handy Collected Books value guide by the Ahearns (2002) it appears that the Lighthouse buyer got the better deal: it’s listed at $20,000. Dalloway is at $15,000.

 

 

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October 1st, 2009 • Posted in On Book Collecting

Monster Parties and why there are only 877 of the Nonesuch Dickens

Since I couldn’t afford the set, I settled for and bought RETROSPECTUS AND PROSPECTUS, THE NONESUCH DICKENS here


recently.  I wanted to learn more about the plates that were given away to subscribers. Here’s what I found:

Its many volumes are embellished with eight hundred illustrations made under the supervision of Charles Dickens himself and carefully printed from the original plates and blocks. All of these will unquestionably make the Nonesuch Dickens the most complete and the most beautiful edition of the present. But it is clearly certain that the Nonesuch Dickens will remain the most complete and the most beautiful edition of the future. For, having created for its subscribers  ‘an edition of Dickens to end all editions of Dickens,’ the Nonesuch Press will then distribute to each subscriber that most valuable of Dickens treasures, one of the original plates. Of these there are no more than 877 of major importance; and the edition has therefore been limited, not artificially but of necessity, to 877.

It is the hope of the Nonesuch Press that this announcement will cause the blood of many true collectors to tingle in anticipatory possession…

How to determine who gets which plate? The Press hit upon  the notion of distribution by lottery. ‘…a monster party will be held in London’ for the 877 subscribers.

Finally: I’ve seen computer programmers call code poetry. This to me is poetry:

“Each volume is bound in linen buckram. The titles are blocked in gold upon black leather labels. But, while the label is black in each instance, the buckram varies in colour throughout the set. The twenty three volumes upon one’s shelf will therefore represent a brave array of reds and yellows and blues and browns, an effect which should prove even more charming than novel. “

You can pick up a copy of RETROSPECTUS AND PROSPECTUS, THE NONESUCH DICKENS for as little as $25 at Oak Knoll Books.