Musings on the Book, Literature, Poetry, Literary Criticism, Collecting, Media, Life and the Arts, and Audio Interviews from The Biblio File radio program pertaining to same by a writer, broadcaster, bibliophile.
Born in Southport in 1969, David Mitchell grew up in Malvern, Worcestershire, studying for a degree in English and American Literature followed by an MA in Comparative Literature, at the University of Kent. He lived for a year in Sicily before moving to Hiroshima, Japan, where he taught English to technical students for eight years, before returning to England.
In his first novel, Ghostwritten (1999), nine narrators in nine locations across the globe tell interlocking stories. This novel won the Mail on Sunday/John Llewellyn Rhys Prize and was shortlisted for the Guardian First Book Award.
His second novel, number9dream (2001), was shortlisted for the 2002 Man Booker Prize for fiction. It is set in modern day Tokyo and tells the story of Eiji Miyake's search for his father.
In 2003 David Mitchell was named by Granta magazine as one of twenty 'Best of Young British Novelists'. In his third novel, Cloud Atlas (2004), a young Pacific islander witnesses the nightfall of science and civilisation, while questions of history are explored in a series of seemingly disconnected narratives. Cloud Atlas was shortlisted for the 2004 Man Booker Prize for Fiction.
David Mitchell lives in Ireland. His latest novel is Black Swan Green (2006)
We met recently in Toronto to talk about experimentation and realism, plot, character and all that good stuff, but also about the greatness of John Cheever, high brow and pulp fiction, good pot boilers, the cosmos, cosmi, connections, melding verbs, platitudinous profundities, critics as platypus taxidermists, poetry in prose, the originalities of happy blunders and cultural juxtapositions, Perec's W, monkeying with structure, planning your funeral, evaluative criticism and the delightful experience of reading Chekhov's short stories.
In checking to ensure that the copy of Jaws I own is not a first edition (I’ll soon be purging the shelves in an upcoming personal library re-org/down-size) - it isn’t - and likewise Silence of the Lamb – it is! – I happened across this great site: The on-line guide for rare book collectors, First Edition Points.
One of the books I love most in my collection is one of the smallest. Here’s how rare book dealer Lowry-James (on Whidby Island, in Washington state…a place incidentally I enjoyed visiting regularly during summer vacations with my father) pictures, describes and prices it:
ROMNEY MARSH. A KING PENGUIN BOOK #55.
by PIPER, JOHN
A Fine Copy in Near Fine DW. 12mo (5 x 7.25 inches). Decorated boards with matching DW, very minor chips. Pp. 36, plus 16 colored plates of Romney Marsh by John Piper, with bibliography. Introduced during the outbreak of W.W.II, and written by noted authorities of the day, the King Penguin Editions provided an attractive, and accessible, miniature series on subjects ranging from British culture, natural history, fine arts and design, to the book arts. The original volumes from the series are quite collectible, and highly regarded as a fine achievement of twentieth century book design and color printing.
First Edition: First printing Book Id: 3258 Price: $65.00
Incurious boor that I am, I failed, in a recent post, to go much beyond drooling out superlatives exalting the book’s fine physical qualities. It took Nancy S. Grayson, owner of Cunningham Books in Portland, Maine (I dropped into her store this morning), to make me aware of the larger picture joys of collecting King Penguins. She sold me a copy of Monumental Brasses (#75 in the series), and placed in front of me the frightening prospect of having now to spend the rest of my life completing the set. Most in the series are not as expensive as the price-tag above. Many can be had for as little as $15, the price I paid Nancy for Brasses. I’ll have more to say about Nancy, additional collecting suggestions, and her lovely, big-windowed store shortly; for now, it’s off to bed and rest for a busy day of bookstore hopping tomorrow: back up through Epsom and Henniker, Norwich and Woodstock, and on along the Subaru-crowded roads of Vermont.
What’s the difference between a First Edition, a Fine Press Edition and an Artists’ Book? Joshua and Phyllis Heller work with me to help define the boundaries.
The two of them established Joshua Heller Rare Books, Inc. in Washington DC, in 1985. The company specializes in "contemporary fine printing and beautifully illustrated books, the Private Press Movement, modern fine bindings, and books about books. [Their] much admired catalogues, illustrated in full color, are distributed to a national and international list of clients."
Joshua has lectured widely in the United States and Canada on the art of the book. He helped organize the Art of the Contemporary Book Conference at Ohio State University in 1991, and has: contributed articles on the Private Press Movement to journals such as Fine Print and Imprint; and curated exhibitions of South African botanical artist Elise Bodley, both for the Smithsonian Museum of Natural History and the Audubon Society; he also proposed the first Washington Artists’ Book Fair – now a biennial event; and organized the first ever exhibition of fine modern bindings at the Corcoran Museum of Art in Washington DC in 2003.
I met the Hellers at their home in Washington, D.C. recently. Please listen here to our conversation
In Volume Two of Canadian Literature in English, W.J. Keith cites a series of literary-critical books whose authors are "concerned, first and foremost, with good writing…The sole axe they grind is the need to nurture excellence."
They, along with works by A.J. M. Smith, and Louis Dudek, could be said to constitute what might be called the Canadian Canon of Evaluative Criticism:
Kicking Against the Pricks, John Metcalf. (ECW, 1982)
Clearing the Ground, Paul Steuwe (1984)
A Climate Charged, B.W. Powe
And then a ‘flurry’ of books fostered by Metcalf and the Porcupine’s Quill:
Enjoy a little browsing with your travel? Evelyn C. Leeper has done book lovers around the globe a great service by posting this annotated list of bookstores on her site:
In a recent post on sad music Mark Thwaite over at ReadysteadyBook remarked, poignantly, that "miserable music is a vital part of my armoury against the world." This got me thinking about Lisa Gerrard and how deeply her melancholic, extraordinary voice moves me, and provides solace.
"I wanted to thank you for your many generous and intelligent words about my new book How Fiction Works (and other stuff)...I get great pleasure from reading your blog."
Critic, James Wood, The New Yorker.
"You can find very bad writing and sloppy impressionism in literary blogs, but also incisive, fresh, thoughtful criticism from voices unencumbered by the politics of Grub St". I would put your blog in the latter category, which is why I’m responding here…Congratulations on a very fine blog."
Scholar, Dr. Ronan McDonald.
"You ask the most brilliant, thoughtful questions, it's really a pleasure to do an interview where someone actually wants to talk about writing and literature in general."
Novelist Margot Livesey.
"The happy result of all this (the Salon des Refuses experience) from my own perspective was my discovery of the wonderful "Note Bene," which I added to my "favourites" early in the summer and which I have read --- and listened to --- with great pleasure ever since."
Novelist Jane Urquhart.
"I spent a bit of time last night perusing, as I often do, Nigel Beale's Nota Bene. My suggestion is that you do the same. It is truly a remarkable site."