NIGEL BEALE NOTA BENE BOOKS

Musings on the Book, Literature, Poetry, Literary Criticism, Collecting, Media, Life and the Arts, and Audio Interviews from The Biblio File radio program pertaining to same by a writer, broadcaster, bibliophile.
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Archive for September, 2009

September 8th, 2009 • Posted in AUDIO Author Interviews

Audio Interview with author David Mitchell, conducted by Nigel Beale.

Born in Southport in 1969, David Mitchell grew up in Malvern, Worcestershire, studying for a degree in English and American Literature followed by an MA in Comparative Literature, at the University of Kent. He lived for a year in Sicily before moving to Hiroshima, Japan, where he taught English to technical students for eight years, before returning to England.

In his first novel, Ghostwritten (1999), nine narrators in nine locations across the globe tell interlocking stories. This novel won the Mail on Sunday/John Llewellyn Rhys Prize and was shortlisted for the Guardian First Book Award.

His second novel, number9dream (2001), was shortlisted for the 2002 Man Booker Prize for fiction. It is set in modern day Tokyo and tells the story of Eiji Miyake's search for his father.

 
In 2003 David Mitchell was named by Granta magazine as one of twenty 'Best of Young British Novelists'. In his third novel, Cloud Atlas (2004), a young Pacific islander witnesses the nightfall of science and civilisation, while questions of history are explored in a series of seemingly disconnected narratives. Cloud Atlas was shortlisted for the 2004 Man Booker Prize for Fiction.
 
David Mitchell lives in Ireland. His latest novel is Black Swan Green (2006)
 
We met recently in Toronto to talk about experimentation and realism, plot, character and all that good stuff, but also about the greatness of John Cheever, high brow and pulp fiction, good pot boilers, the cosmos, cosmi, connections, melding verbs, platitudinous profundities, critics as platypus taxidermists, poetry in prose, the originalities of happy blunders and cultural juxtapositions, Perec's W, monkeying with structure, planning your funeral, evaluative criticism and the delightful experience of reading Chekhov's short stories.
 

Please listen here:


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September 8th, 2009 • Posted in On Collecting

On-line Guide to First Edition Points

In checking to ensure that the copy of Jaws I own is not a first edition  (I’ll soon be purging the shelves in an upcoming personal library re-org/down-size)  - it isn’t - and likewise Silence of the Lamb – it is! – I happened across this great site: The on-line guide for rare book collectors, First Edition Points.
 
September 6th, 2009 • Posted in On Book Collecting

Collecting King Penguins

One of the books I love most in my collection is one of the smallest. Here’s how rare book dealer Lowry-James (on Whidby Island, in Washington state…a place incidentally I enjoyed visiting regularly during summer vacations with my father) pictures, describes and prices it:
 
 
 
ROMNEY MARSH. A KING PENGUIN BOOK #55.
by PIPER, JOHN
 
Publisher Information: Penguin Books , London: 1950.
 
 A Fine Copy in Near Fine DW. 12mo (5 x 7.25 inches). Decorated boards with matching DW, very minor chips. Pp. 36, plus 16 colored plates of Romney Marsh by John Piper, with bibliography. Introduced during the outbreak of W.W.II, and written by noted authorities of the day, the King Penguin Editions provided an attractive, and accessible, miniature series on subjects ranging from British culture, natural history, fine arts and design, to the book arts. The original volumes from the series are quite collectible, and highly regarded as a fine achievement of twentieth century book design and color printing.
 
First Edition: First printing Book Id: 3258 Price: $65.00
 
 Incurious boor that I am, I failed, in a recent post, to go much beyond drooling out superlatives exalting the book’s fine physical qualities. It took Nancy S. Grayson, owner of Cunningham Books in Portland, Maine (I dropped into her store this morning), to make me aware of the larger picture joys of collecting King Penguins. She sold me a copy of Monumental Brasses (#75 in the series), and placed in front of me the frightening prospect of having now to spend the rest of my life completing the set. Most in the series are not as expensive as the price-tag above. Many can be had for as little as $15, the price I paid Nancy for Brasses. I’ll have more to say about Nancy, additional collecting suggestions, and her lovely, big-windowed store shortly; for now, it’s off to bed and rest for a busy day of bookstore hopping tomorrow: back up through Epsom and Henniker, Norwich and Woodstock, and on along the Subaru-crowded roads of Vermont.
 

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September 3rd, 2009 • Posted in AUDIO Bookseller Interviews

Audio Interview with Rare Book Dealers Joshua and Phyllis Heller


What’s the difference between a First Edition, a Fine Press Edition and an Artists’ Book? Joshua and Phyllis Heller work with me to help define the boundaries. 

The two of them established Joshua Heller Rare Books, Inc. in Washington DC, in 1985. The company specializes in "contemporary fine printing and beautifully illustrated books, the Private Press Movement, modern fine bindings, and books about books. [Their] much admired catalogues, illustrated in full color, are distributed to a national and international list of clients."

Joshua has lectured widely in the United States and Canada on the art of the book. He helped organize the Art of the Contemporary Book Conference at Ohio State University in 1991, and has: contributed articles on the Private Press Movement to journals such as Fine Print and Imprint; and curated exhibitions of South African botanical artist Elise Bodley, both for the Smithsonian Museum of Natural History and the Audubon Society; he also proposed the first Washington Artists’ Book Fair – now a biennial event; and organized the first ever exhibition of fine modern bindings at the Corcoran Museum of Art in Washington DC in 2003.

I met the Hellers at their home in Washington, D.C. recently. Please listen here to our conversation

(* The Fisher Library referred to by Josh is located at the University of Toronto. Here’s the link)

 

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September 3rd, 2009 • Posted in canadian literature

The Canadian Canon of Evaluative Criticism

In Volume Two of Canadian Literature in English, W.J. Keith cites a series of literary-critical books whose authors are "concerned, first and foremost, with good writing…The sole axe they grind is the need to nurture excellence."

They, along with works by A.J. M. Smith, and Louis Dudek, could be said to constitute what might be called the Canadian Canon of Evaluative Criticism:

Kicking Against the Pricks, John Metcalf. (ECW, 1982)
Clearing the Ground, Paul Steuwe (1984)
A Climate Charged, B.W. Powe

And then a ‘flurry’ of books fostered by Metcalf and the Porcupine’s Quill:
Ripostes, Philip Marchand
This is Our Writing, T.F. Rigelhof
When Words Deny the World, Stephen Henighan
Director’s Cut, David Solway
A Lover’s Quarrel, Carmine Starnino
 

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September 2nd, 2009 • Posted in On Book Collecting

List of Used Bookstores Worldwide

Enjoy a little browsing with your travel? Evelyn C. Leeper has done book lovers around the globe a great service by posting this annotated list of bookstores on her site:

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September 2nd, 2009 • Posted in On Music

Lisa Gerrard’s Voice

In a recent post on sad music  Mark Thwaite over at ReadysteadyBook remarked, poignantly, that "miserable music is a vital part of my armoury against the world." This got me thinking about Lisa Gerrard and how deeply her melancholic, extraordinary voice moves me, and provides solace.

httpv://www.youtube.com/watch?v=1xpkRj99FH0
 

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September 2nd, 2009 • Posted in Nigel Beale Photos

Snail-Mail, Country-Style

Just back from a week in the country at Red Pine Camp near Golden Lake, Ontario. No email, but lots of these: